During their chats, King also claimed he had drugged and sexually abused his nieces and nephews.

King allegedly wrote "I generally use Benadryl," noting that it provides a "wide safety margin," and is "easy," claiming, "it generally takes 30-45 min[utes]," and "I usually double an adult dose," according to the charges.

King also allegedly claimed that he and his husband were expecting the birth of a child by a surrogate on March 29, and that he planned to sexually assault the child after it is born. He also allegedly sent the person in New York an ultrasound image of the unborn child, and a photo of a baby outfit he and his husband got for Christmas.

華娟長居德國二十幾年，但也始終和家鄉密切往來。這些年她寫了二十幾本書，粉絲極多，又多了個「暢銷作家」的身分。她學了好多手藝，近年投入咖啡研究，赴維也納拜師，又回台開班授課，把陽明山自家整理成頂級咖啡工場。她原本專修大提琴，受過嚴謹的古典音樂訓練，最近她又重返學校，卻是跟著一位從小彈巴哈的青年樂手修習爵士鋼琴，重新建構自己的音樂認知（她甚至說，重新聽自己以前寫的歌，覺得沒什麼意思）。是的，華娟始終有著旺盛的好奇心和求知慾，這個世界還有太多好玩的事等著她去探險，所謂流行音樂，只是其中一部分而已。

流行音樂云云，對她來說，大概稱不上生死相許的志業。喜歡寫，喜歡唱，也有很多人喜歡聽，那樣就很可以了，畢竟人生值得追求的事情還多著呢。

要我用一個詞形容鄭華娟的歌，只能是「冰雪聰明」。八九Ｏ年代之交，流行樂壇往往濃墨重彩、囂張喧嘩，她卻很少寫纏綿悱惻、死去活來的慘情歌。即使唱著憂傷失落，她也總能讓你覺得終究會有個亮堂堂的去處。她酷愛旅行，永遠睜著好奇的眼睛東張西望。世界上有趣的事情太多，來不及自怨自艾。於是聽她的歌，也像置身一部公路電影。她用各種方法告訴你：上路吧，用自己的眼睛去看，用自己的身體和心去迎接歡愉和痛苦。儘管受傷吧，不要怕，那些疼痛，就和快樂一樣，都是成長的禮贈。

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淚眼送別鄭華娟 - 馬世芳 (@mafang)

她用各種方法告訴你：上路吧，用自己的眼睛去看，用自己的身體和心去迎接歡愉和痛苦。儘管受傷吧，不要怕，那些疼痛，就和快樂一樣，都是成長的禮贈。